Please enter your email address.
Or:
Log in with your email address.
In the world of The New Cool, coolness is not an expression of distance, but of attitude. It is not about eccentricity or rebellion, but about precision, about the art of reducing things to their essentials. The food itself becomes an expression of this new serenity: small, clearly composed dishes in which texture, temperature, and timing are perfectly coordinated. Mise en place and plate service follow a calm dramaturgy—no show cooking, no excess, but concentration on the moment. Each plate seems like a quotation: concise, refined, controlled.
This new form of coolness is also evident in the way they work: chefs and service staff act in sync, almost choreographed. The pace remains constant, the processes precise, the atmosphere focused. The kitchen becomes a space of clarity – quiet, organized, attentive. Guests feel this too. They experience enjoyment not as an event, but as a moment of inner peace.
The New Cool is aimed at restaurateurs who work with style and attitude – at urban bistros, fine dining restaurants, boutique hotels, or modern wine bars that don't want to be loud, but rather want to make a refined impression. These hosts focus on a reduced, sensual design language, on deliberately placed pauses in service, on an atmosphere in which guests find space to experience. Especially in big cities, where speed, noise, and sensory overload are part of everyday life, The New Cool provides a counterbalance: a place of quiet deceleration.
The concept is equally suitable for daytime and evening dining. During the day, the trend is reflected in small, fresh dishes that are served lightly and clearly – bowls, tasting plates, fine snacks that are quickly prepared but carefully arranged. In the evening, this turns into a slow fine dining experience that impresses less with its presentation than with its precision craftsmanship. Guests sense that this is a place where work is done, not performed.
The new coolness is also evident on the table. Instead of elaborate decorations or exuberant color accents, calm, natural materials dominate. The table setting is part of the presentation, but never the center of attention. Light porcelain, matte glass, and organically shaped bowls create a stage that gives the dish space to shine. Plating becomes a dialogue between clarity and structure: a dab of cream, a deliberate texture, a fine line—every detail is in place, but nothing seems arranged.
The presentation styles also follow this trend. Smaller portions, more variety, served on simple plates, bowls, or small wooden and stone boards. This understated design language creates calm—the eye finds something to rest on, and the gaze remains focused on the essentials. Light, materials, and colors resonate with the food. The result is an atmosphere that conveys both concentration and well-being.
The trend also influences the way the kitchen and service staff work. The New Cool focuses on harmony instead of hecticness, on precision instead of perfectionism. The service staff becomes part of the overall aesthetic – calm, attentive, present, without being intrusive. The workflow in the kitchen remains lean but well thought out. Guests experience a setting that is not intrusive, but creates trust. This lightness can only be achieved when the kitchen and interior design speak the same language.
In terms of interior design, The New Cool focuses on matte surfaces, subtle colors, and clean lines. Wood, glass, and ceramics engage in a quiet dialogue. Music, lighting, and acoustics are finely tuned. The goal: atmosphere without distraction. This principle is also evident in the table setting—plates, cutlery, and glasses have an almost meditative effect in their simplicity. The eye glides over the surface without friction, without overload.
The New Cool is the antithesis of everything loud and overloaded. It is a return to conscious enjoyment, to a new form of coolness that arises from calmness, clarity, and skilled craftsmanship. For restaurateurs, this trend is an invitation to take a stand – less through concept, more through quality. For guests, it becomes an experience that is not overwhelming, but rather appealing.
In a time when everything is becoming louder, faster, and denser, The New Cool is a quiet revolution. It is the promise that true modernity does not arise from excess, but from reduction—from the ability to do less, but do everything right.
Deconstructed Delights – fine dining meets culinary architecture. With the GRAVITY series, Deconstructed Delights presents an innovative gastronomy concept that deconstructs classic dishes, reassembles them, and thus transforms them into a sensual and intellectual experience. It stands for culinary deconstruction, fine dining design, and modern food plating, in which materials and textures themselves become a language. Glass, wood, and light porcelain form a stage on which taste and aesthetics merge – each element tells its own story. A tender fillet steak with roasted corn and creamy corn variations rests on a glass bowl, while lobster, grapefruit, basil, and avocado shine on a high plate made of gray glass. The green bean cassoulet with edamame and pickled red onions unfolds in a white bowl, while a bacon beignet with spicy mayo on oak wood completes the culinary arc. The GRAVITY series is aimed at fine dining restaurants, boutique hotels, and catering concepts that want to combine avant-garde food design and storytelling.
Tiny Plates – great cuisine in small dimensions. Tiny Plates stands for a new lightness in fine dining: each element is a miniature composition, each detail an expression of craftsmanship and precision. The concept combines modern food plating, fine dining tasting, and aesthetic table design to create a multisensory experience that redefines enjoyment. With the GRAVITY series, the table becomes a stage – each portion a small work of art that invites guests to discover textures, flavors, and temperatures step by step. A potato "cannelloni," rolled in wonton and wrapped in fine potato threads, surprises with pea and avocado tartare and miso mayonnaise. Seared salmon fillet tataki on sour cream foam and dill oil shimmers in an elegant bowl, while a baked salmon praline in a spring onion thread coat rests on a creamy celery base. The finale is a tower of potato chips, salmon tartare, cucumber gel, and wood sorrel—served on a gray glass plate, minimalist yet expressive. Tiny Plates and the GRAVITY series are aimed at fine dining restaurants, chef's tables, and boutique hotels that focus on visual sophistication, innovative food design, and sensory dining experiences.
Planning help & sales: Do you need support with the implementation of your plans? Then you are exactly right here! Our planning experts will help you without obligation by phone or email.
Der Menüteller in der eleganten Farbe Premium Black überzeugt mit einer rauen Struktur. Er eignet sich hervorragend zum Servieren von leckeren Hauptgerichten. Der Menüteller harmoniert bestens mit seinem beigen Pendant. Der Teller hat einen Durchmesser von 26 cm und wird in einem praktischer 2er-Set und einer hochwertigen Geschenkbox geliefert.
Schott Zwiesel
Der Menüteller in der eleganten Farbe Premium Black überzeugt mit einer rauen Struktur. Er eignet sich hervorragend zum Servieren von leckeren Hauptgerichten. Der Menüteller harmoniert bestens mit seinem beigen Pendant. Der Teller hat einen Durchmesser von 26 cm und wird in einem praktischer 2er-Set und einer hochwertigen Geschenkbox geliefert.
Schott Zwiesel
HANS IM GLÜCK Franchise GmbH
Karlstr. 10
D-80333 München
Kunden-Nr.: 6275980247035511370